Three Sites: One overflowing with history and stripped of sensation; One overflowing with surface and witholding a visible interior; The last overflowing with sensation and laden with visibility 

2025 / 36.5 x 49 in, 7.8.5 in, 5.5 x 7 in

Framed photographic triptych.

72 pigment ink prints on archival glossy paper in an artist’s frame; silver gelatin print in an artist’s frame; pigment ink print on archival matte paper in an artist’s frame.


Photograph courtesy of Chris Herity / Silke Linder



Rückenfigur No. 1 (The brush of discourse)

2025 / 26x34"

Inkjet photographic print, glassine, artist frame.



Rückenfigur No. 2 (The reflexes of iconography)

2025 / 26x34"

Inkjet photographic print, glassine, artist frame.



Anthology of the Ghost, Fig. 79: Law, Flood (Some things which have often held us too tightly.)


2025 / 20x24”  

Silver gelatin print, engraved mat board, reclaimed pine frames.


Anthology of the Ghost, Fig. 80: Work (The enforced creation of capital or, more ideally, the free creation of space.)
2025 / 20x24”  

Silver gelatin prints, engraved mat board, reclaimed pine frames.

Anthology of the Ghost. Fig. 93: Bliss (A reminder that dying can be reimagined.)


2025 / 20x24”  

Silver gelatin prints, engraved mat board, reclaimed pine frames.










Concerto of the periphery in I, III, and V

2023 / Numeroventi / Florence, IT

Alabaster nuggets, pressure, river reeds




The Ruin; A Proposal for immediate ascension for the burnt and the beloved 

2023 / Numeroventi / Florence, IT

Loaned terra-cotta bricks, ash, foam, ink


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Concerto of the periphery in I, III, and V

2023 / Numeroventi / Florence, IT

Alabaster nuggets, pressure, river reeds